Critical Race Theory and Copyright in American Dance
Whiteness as Status Property| By: | Caroline Joan S. Picart |
| Publisher: | Springer Nature |
| Print ISBN: | 9781137321961 |
| eText ISBN: | 9781137321978 |
| Edition: | 0 |
| Copyright: | 2013 |
| Format: | Reflowable |
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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.