Body and Event in Howard Barker's Drama
From Catastrophe to Anastrophe in The Castle and Other Plays| By: | Alireza Fakhrkonandeh |
| Publisher: | Springer Nature |
| Print ISBN: | 9783030286989 |
| eText ISBN: | 9783030286996 |
| Edition: | 0 |
| Copyright: | 2019 |
| Format: | Reflowable |
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This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).